A new type of discourse about documentary filmmaking sprang up, initially from two filmmakers, Alexandru Solomon and Florin Iepan, who, in the early 2000s, had been attached to a European training initiative (Discovery Masterschool), which strove to facilitate access to the international market for documentary professionals experienced in smaller national markets. Their films, The Great Communist Bank Robbery ( Marele jaf communist ; dir. Solomon, 2004) and Children of the Decree (Decreteii; dir. Iepan, 2004) were commissioned by major international producers and broadcasters (BBC4, Arte, and Finnish Yle TV for Solomon; Westend, ARTE, WDR-TV Ontario, and Romanian television for Iepan) while they were at the Discovery Masterschool, and were developed in co-production with Romania's National Film Center. Both films engaged with exceptional episodes from Romania's communist past and addressed the tensions between social and individual memory.

A new type of discourse about documentary filmmaking sprang up, initially from two filmmakers, Alexandru Solomon and Florin Iepan, who, in the early 2000s, had been attached to a European training initiative (Discovery Masterschool), which strove to facilitate access to the international market for documentary professionals experienced in smaller national markets. Their films, The Great Communist Bank Robbery ( Marele jaf communist ; dir. Solomon, 2004) and Children of the Decree (Decreteii; dir. Iepan, 2004) were commissioned by major international producers and broadcasters (BBC4, Arte, and Finnish Yle TV for Solomon; Westend, ARTE, WDR-TV Ontario, and Romanian television for Iepan) while they were at the Discovery Masterschool, and were developed in co-production with Romania's National Film Center. Both films engaged with exceptional episodes from Romania's communist past and addressed the tensions between social and individual memory.

由罗马尼亚导演安德烈·乌吉卡(Andrei Ujica)执导的影片《尼古拉·齐奥塞斯库自传》是该导演讲述共产主义尾声的三部曲中的最后一部。影片在历史影像资料的基础上剪辑而成，着重描述了这个在二十世纪下半叶深刻影响了罗马尼亚历史的独裁者的形象。这是安德烈·乌吉卡第一次参加戛纳电影节。他于20点在“Salle du Soixantième”厅介绍这部非参赛电影。 　　在于1992年与哈兰·法洛奇合作执导的《革命录像纪事》一片中，安德烈·乌吉卡重现了1989年在罗马尼亚发生的一系列事件，这些事件最终推翻了尼古拉·齐奥塞斯库的政权。继这部带有反叛气息的影片之后，安德烈·乌吉卡推出了第二部长篇《Out of the Present》(1995年)。该片讲述了一个名叫Sergueï Krikaliov的宇航员在和平号空间站停留了十个月。在此期间，苏联日渐衰弱。等到他返回地球的时候，他看到的是一个继1991年莫斯科政变未遂之后全新的俄罗斯。 　　十五年以后的今天，安德烈·乌吉卡完成了其有关共产主义尾声系列影片的第三部。该片是在众多文献影像资料的基础上大量剪辑而成。“在《尼古拉·齐奥塞斯库自传》这部影片的制作伊始，我手中掌握的文献资料是自我拍片以来最为充分的一次，一共有数千小时有关齐奥塞斯库的影像”。在对样片进行了挑选和剪辑之后，安德烈·乌吉卡创造出了一部影片，片中齐奥塞斯库这个罗马尼亚独裁者讲述了自己的生活、统治时期以其诉讼案，直至1989年被处决。

由罗马尼亚导演安德烈·乌吉卡(Andrei Ujica)执导的影片《尼古拉·齐奥塞斯库自传》是该导演讲述共产主义尾声的三部曲中的最后一部。影片在历史影像资料的基础上剪辑而成，着重描述了这个在二十世纪下半叶深刻影响了罗马尼亚历史的独裁者的形象。这是安德烈·乌吉卡第一次参加戛纳电影节。他于20点在“Salle du Soixantième”厅介绍这部非参赛电影。 　　在于1992年与哈兰·法洛奇合作执导的《革命录像纪事》一片中，安德烈·乌吉卡重现了1989年在罗马尼亚发生的一系列事件，这些事件最终推翻了尼古拉·齐奥塞斯库的政权。继这部带有反叛气息的影片之后，安德烈·乌吉卡推出了第二部长篇《Out of the Present》(1995年)。该片讲述了一个名叫Sergueï Krikaliov的宇航员在和平号空间站停留了十个月。在此期间，苏联日渐衰弱。等到他返回地球的时候，他看到的是一个继1991年莫斯科政变未遂之后全新的俄罗斯。 　　十五年以后的今天，安德烈·乌吉卡完成了其有关共产主义尾声系列影片的第三部。该片是在众多文献影像资料的基础上大量剪辑而成。“在《尼古拉·齐奥塞斯库自传》这部影片的制作伊始，我手中掌握的文献资料是自我拍片以来最为充分的一次，一共有数千小时有关齐奥塞斯库的影像”。在对样片进行了挑选和剪辑之后，安德烈·乌吉卡创造出了一部影片，片中齐奥塞斯库这个罗马尼亚独裁者讲述了自己的生活、统治时期以其诉讼案，直至1989年被处决。

科学狂人把美女变成怪物

The two sequels to Timo Rose's Mutation, condensed into one feature length horror/sci-fi epic with added digital effects.

The two sequels to Timo Rose's Mutation, condensed into one feature length horror/sci-fi epic with added digital effects.